12.01.16

The magazine you are holding in your hands is the Winter–Spring 2016–2017 issue. We call it that for a good reason: we haven’t thought of a better name for it. After all, half of the time winter here feels like spring, while half of spring can feel a little uncomfortably like winter. As for 2016–2017, we were tempted to just leave the 2016 off this year, so weary were we with the pleasures of living in this great republic during election season.

By Paul Schneider

03.09.16

Oklahoma Hall; On Time; and Osborn, Samuel Jr.

10.13.16

It’s the oldest complaint in the world. At least as old as “God said to Abraham, ‘Kill me a son.’” And Abe, who God apparently thought wasn’t grateful enough for the world he’d been given, said “Man, you must be putting me on.” (Dylan 6:1) The real problem, of course, was that God wasn’t sure that Abe was willing to make the sacrifices necessary to get along in the world.

By Paul Schneider

10.13.16

Sculptor and stoneworker Eben Armer has a passion for granite, as poet and dock builder Steve Ewing discovered one hot summer afternoon.

By Steve Ewing

10.13.16

Patrick Ahearn has had a hand in designing more than 160 projects in Edgartown and shows no sign of slowing down.

By Beth Edwards Harris

10.14.16

This is the twentieth “Notes from the Tackle Room” column that I have written, and it occurs to me that perhaps, for the Home & Garden issue, I should elaborate on what this room consists of.

By Kib Bramhall

10.14.16

In September President Barack Obama designated about 5,000 square miles of deep sea canyons and ancient underwater mountains southeast of Cape Cod as the first national marine monument in the Atlantic Ocean.

By Sara Brown

03.06.16

Freeman Leonard; Deborah/Francis Lewis; Lobsterville; Lucas Shoal; Nancy Luce; and John Lumbert.

10.14.16

It takes no Einstein to discern...

By D.A.W.

10.14.16

Taylor Stone’s first collection of poems and illustrations, Vineyard Magic, is a hand-bound Valentine to native plants of the Island.

By Libby Ellis

10.14.16

“Because I want my paintings to have more than a visual relevance, I build on the intellectual content to add depth and cultural relevance.”

By CK Wolfson

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